Bên cạnh Phân tích bài essay về "The number of visitors in the UK" IELTS WRITING TASK 1 (table), IELTS TUTOR hướng dẫn 🔥🔥Phân tích"The charts below give information about the UK music industry by sector, in 2013, 2014 and 2015 "IELTS WRITING TASK 1

The charts below give information about the UK music industry by sector, in 2013, 2014 and 2015

Paraphrases for "Total Earnings"

1. Overall revenue – IELTS TUTOR xét ví dụ: Live music generated the highest overall revenue, peaking at £1,200 million in 2015.
2. Aggregate profits – IELTS TUTOR xét ví dụ: The recorded music sector saw a gradual rise in aggregate profits, reaching nearly £700 million.
3. Total income – IELTS TUTOR xét ví dụ: The total income from live music consistently exceeded that of the other two categories.
4. Cumulative earnings – IELTS TUTOR xét ví dụ: Between 2013 and 2015, live music saw a substantial rise in cumulative earnings.
5. Financial returns – IELTS TUTOR xét ví dụ: The sector’s financial returns were highest in 2015, particularly for live performances.
6. Economic gains – IELTS TUTOR xét ví dụ: The economic gains from music publishing were consistently the lowest among the three sectors.

Paraphrases for "Number of Employees"

1. Workforce size – IELTS TUTOR xét ví dụ: The workforce size in the live music sector remained significantly higher than in the other two fields.
2. Staff count – IELTS TUTOR xét ví dụ: The staff count in recorded music was nearly half that of live music.
3. Personnel total – IELTS TUTOR xét ví dụ: Music publishing had the lowest personnel total, with just 2,500 employees.
4. Labor force – IELTS TUTOR xét ví dụ: The labor force in recorded music was considerably smaller than in live performances.
5. Human resources – IELTS TUTOR xét ví dụ: Despite a gradual increase in revenue, the music publishing sector’s human resources remained minimal.
6. Employee base – IELTS TUTOR xét ví dụ: The employee base of recorded music declined slightly by 2015.
7. Workforce distribution – IELTS TUTOR xét ví dụ: The workforce distribution varied significantly among the three music industry sectors.

IELTS TUTOR gợi ý bài tham khảo:

The bar charts illustrate (minh họa – depict, demonstrate, present) the fluctuations (sự dao động – variations, shifts, changes) in total revenue (tổng doanh thu – overall earnings, gross income, aggregate revenue) and workforce distribution (phân bố lực lượng lao động – employment allocation, labor force composition, staffing pattern) across three sectors (lĩnh vực – divisions, industries, fields) of the UK music industry (ngành công nghiệp âm nhạc Vương quốc Anh – British music sector, UK recording business, UK musical field)—recorded music (âm nhạc thu âm – studio music, produced music, published tracks), live music (âm nhạc trực tiếp – on-stage performance, concert-based music, in-person music), and music publishing (xuất bản âm nhạc – song composition sector, sheet music production, musical content creation)—from 2013 to 2015.

Overall, live music consistently outperformed (luôn vượt trội hơn – steadily exceeded, continuously surpassed, persistently led) the other two categories in total earnings (tổng thu nhập – aggregate profits, overall revenue, gross proceeds), while recorded music followed closely behind (gần sát – nearly matched, came in second, was slightly lower). Besides, the number of employees (số lượng nhân viên – workforce size, staff count, personnel total) in live music remained substantially higher (cao hơn đáng kể – significantly larger, considerably greater, markedly superior) than in the other two sectors.

Between 2013 and 2015, live music witnessed a steady surge (chứng kiến một sự gia tăng ổn định – experienced a consistent rise, observed a gradual incline, saw an ongoing growth) in revenue, peaking at (đạt đỉnh – reaching its highest point, attaining a peak, hitting the top) nearly £1,200 million in 2015. Moreover, the income from recorded music (thu nhập từ âm nhạc thu âm – revenue generated by recorded tracks, earnings from studio music, profits from published songs) slightly increased before culminating (tăng nhẹ trước khi đạt đỉnh – rose modestly before hitting a peak, saw a minor growth before reaching the highest point, experienced a small rise before hitting its maximum) at approximately £700 million. In contrast, the music publishing sector generated the least profit (lĩnh vực xuất bản âm nhạc tạo ra ít lợi nhuận nhất – the publishing segment earned the lowest income, this sector yielded the smallest revenue, this industry produced the minimum earnings) and exhibited a gradual increase, reaching (£500 million in 2015.

Regarding employment figures (số liệu lao động – workforce statistics, staff numbers, personnel data), the live music sector employed the most workers (lĩnh vực âm nhạc trực tiếp có số lao động cao nhất – live performances provided the highest employment, this sector had the largest workforce, concerts required the greatest number of employees), hovering around (dao động khoảng – fluctuating near, maintaining around, staying close to) 25,000. Meanwhile, the recorded music sector accounted for (chiếm – constituted, represented, made up) nearly half that figure, whereas the music publishing industry consistently had the smallest workforce (lĩnh vực xuất bản âm nhạc có lực lượng lao động nhỏ nhất – the publishing sector maintained the lowest staff count, this industry employed the fewest individuals, this field had the least personnel), at around 2,500.

🔹 New Vocabulary & Definitions:

1. Fluctuations (sự dao động) – variations, shifts, changes
2. Total revenue (tổng doanh thu) – overall earnings, gross income, aggregate revenue
3. Workforce distribution (phân bố lực lượng lao động) – employment allocation, labor force composition, staffing pattern
4. Sectors (lĩnh vực) – divisions, industries, fields
5. Live music consistently outperformed (luôn vượt trội hơn) – steadily exceeded, continuously surpassed, persistently led
6. Total earnings (tổng thu nhập) – aggregate profits, overall revenue, gross proceeds
7. Followed closely behind (gần sát) – nearly matched, came in second, was slightly lower
8. Number of employees (số lượng nhân viên) – workforce size, staff count, personnel total
9. Remained substantially higher (cao hơn đáng kể) – significantly larger, considerably greater, markedly superior
10. Witnessed a steady surge (chứng kiến một sự gia tăng ổn định) – experienced a consistent rise, observed a gradual incline, saw an ongoing growth
11. Peaking at (đạt đỉnh) – reaching its highest point, attaining a peak, hitting the top
12. Income from recorded music (thu nhập từ âm nhạc thu âm) – revenue generated by recorded tracks, earnings from studio music, profits from published songs
13. Slightly increased before culminating (tăng nhẹ trước khi đạt đỉnh) – rose modestly before hitting a peak, saw a minor growth before reaching the highest point, experienced a small rise before hitting its maximum
14. Music publishing sector generated the least profit (lĩnh vực xuất bản âm nhạc tạo ra ít lợi nhuận nhất) – the publishing segment earned the lowest income, this sector yielded the smallest revenue, this industry produced the minimum earnings
15. Employment figures (số liệu lao động) – workforce statistics, staff numbers, personnel data
16. Live music sector employed the most workers (lĩnh vực âm nhạc trực tiếp có số lao động cao nhất) – live performances provided the highest employment, this sector had the largest workforce, concerts required the greatest number of employees
17. Hovering around (dao động khoảng) – fluctuating near, maintaining around, staying close to
18. Recorded music sector accounted for (chiếm) – constituted, represented, made up
19. Music publishing industry consistently had the smallest workforce (lĩnh vực xuất bản âm nhạc có lực lượng lao động nhỏ nhất) – the publishing sector maintained the lowest staff count, this industry employed the fewest individuals, this field had the least personnel

Biểu đồ cột minh họa (illustrate – depict, demonstrate, present) sự dao động (fluctuations – variations, shifts, changes) trong tổng doanh thu (total revenue – overall earnings, gross income, aggregate revenue) và phân bố lực lượng lao động (workforce distribution – employment allocation, labor force composition, staffing pattern) ở ba lĩnh vực (sectors – divisions, industries, fields) của ngành công nghiệp âm nhạc Vương quốc Anh (UK music industry – British music sector, UK recording business, UK musical field): âm nhạc thu âm (recorded music – studio music, produced music, published tracks), âm nhạc trực tiếp (live music – on-stage performance, concert-based music, in-person music), và xuất bản âm nhạc (music publishing – song composition sector, sheet music production, musical content creation) từ năm 2013 đến 2015.

Nhìn chung, âm nhạc trực tiếp (live music) luôn vượt trội hơn (consistently outperformed – steadily exceeded, continuously surpassed, persistently led) hai lĩnh vực còn lại về tổng thu nhập (total earnings – aggregate profits, overall revenue, gross proceeds), trong khi âm nhạc thu âm (recorded music) theo sát phía sau (followed closely behind – nearly matched, came in second, was slightly lower). Bên cạnh đó, số lượng nhân viên (number of employees – workforce size, staff count, personnel total) trong lĩnh vực âm nhạc trực tiếp (live music) cao hơn đáng kể (remained substantially higher – significantly larger, considerably greater, markedly superior) so với hai lĩnh vực kia. >> Form đăng kí giải đề thi thật IELTS 4 kĩ năng kèm bài giải bộ đề 100 đề PART 2 IELTS SPEAKING quý đang thi (update hàng tuần) từ IELTS TUTOR   

Từ 2013 đến 2015, âm nhạc trực tiếp (live music) chứng kiến một sự gia tăng ổn định (witnessed a steady surge – experienced a consistent rise, observed a gradual incline, saw an ongoing growth) về doanh thu, đạt đỉnh (peaking at – reaching its highest point, attaining a peak, hitting the top) gần 1.200 triệu bảng vào năm 2015. Trong khi đó, thu nhập từ âm nhạc thu âm (income from recorded music – revenue generated by recorded tracks, earnings from studio music, profits from published songs) tăng nhẹ trước khi đạt đỉnh (culminating – rose modestly before hitting a peak, saw a minor growth before reaching the highest point, experienced a small rise before hitting its maximum) ở mức khoảng 700 triệu bảng. Ngược lại, lĩnh vực xuất bản âm nhạc (music publishing sector) tạo ra ít lợi nhuận nhất (generated the least profit – earned the lowest income, yielded the smallest revenue, produced the minimum earnings) và chỉ tăng dần, đạt 500 triệu bảng vào năm 2015.

Về số liệu lao động (employment figures – workforce statistics, staff numbers, personnel data), lĩnh vực âm nhạc trực tiếp (live music sector) có số lao động cao nhất (employed the most workers – provided the highest employment, had the largest workforce, required the greatest number of employees), dao động khoảng (hovering around – fluctuating near, maintaining around, staying close to) 25.000 người. Trong khi đó, lĩnh vực âm nhạc thu âm (recorded music sector) chiếm (accounted for – constituted, represented, made up) gần một nửa con số này, còn ngành xuất bản âm nhạc (music publishing industry) luôn có lực lượng lao động nhỏ nhất (smallest workforce – lowest staff count, employed the fewest individuals, least personnel), khoảng 2.500 người.

🔹 Difficult Grammar Structures:

1. Past Participle as Adjective:

   • IELTS TUTOR xét ví dụ:    Live music consistently outperformed the other two categories in total earnings.
   • Âm nhạc trực tiếp luôn vượt trội hơn hai lĩnh vực còn lại về tổng thu nhập.

2. Relative Clauses:

   • IELTS TUTOR xét ví dụ:    Between 2013 and 2015, live music witnessed a steady surge in revenue, peaking at nearly £1,200 million in 2015.
   • Từ năm 2013 đến 2015, âm nhạc trực tiếp chứng kiến một sự gia tăng ổn định về doanh thu, đạt đỉnh gần 1.200 triệu bảng Anh vào năm 2015.

3. Compound Adjectives:

   • IELTS TUTOR xét ví dụ:    A concert-based music sector (Lĩnh vực âm nhạc dựa trên hòa nhạc)
   • An in-person music event (Một sự kiện âm nhạc trực tiếp)

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